28 reviews
Sales Rank: 14055

Format: Classical, Closed-captioned, Color, Dolby, Dvd-video, Ntsc
Languages: Latin (Original Language), English (Original Language), French (Original Language), German (Original Language)
Rating: NR (Not Rated)
Number Of Items: 1
Running Time: 85
Discs: 1
Aspect Ratio: 1.33:1
Shipping Weight (lbs): 0.4
Dimensions (in): 7.6 x 5.3 x 0.6

MPN: 000466509
UPC: 044007340554
EAN: 0044007340554
ASIN: B0009DBXXQ

Theatrical Release Date: 1967
Release Date: September 13, 2005
Availability: Usually ships in 1-2 business days

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Customer Reviews: Read 23 more reviews...

5 out of 5 stars

A Musical Masterpiece December 8, 2008
1 out of 1 found this review helpful

This version of Verdi's Requiem has been br /reviewed by opera fans much morebr /knowledgeable than I am, and I agree br /with just about all of them. This is an br /absolutely stunning performance br /with four of the most beautiful operaticbr /voices of a generation.br / br /While I originally purchased this DVD to br /hear a youthful Pavarotti, I have to br /agree with Mr. Kay that out of the four br /superstars, it is Fiorenza Cossotto, br /the mezzo soprano, whose star shines br /brightest here. He cites her br /performance in "Liber scriptus," br /but I'd like to add "Lux aternum." br /The beauty, clarity, and range of br /her voice in these pieces is simply br /extraordinary.br / br /I once read a music critic describe br /her voice as "not really beautiful, br /but she colors it in a way that makes br /you think it is." I disagree. I think br /her voice is simply beautiful without br /any qualifiers.br /br /Finally, what makes this Requiem so br /special is many of the principals br /have passed on...Karajan in the 80s, br /Ghiaurov in 2003, and Pavarotti in 2007. br /br /I don't know if Price is still performing, br /but Cossotto, now in her 70s, still sings br /professionally from time to time and gives br /master classes.br /br /It's wonderful to have this treasure on br /DVD to be able to see as well as hear br /these extraordinarily talented artists br /perform one of Verdi's most beautiful br /works. br / br /br /br /

5 out of 5 stars

An intense and touching performance! October 28, 2008
My opinion about this DVD is not at all as technical as the others I've read here. And it shouldn't, it's beyound my skills. But, as a only recently afficionate of classical operatic songs, I must tell that I came across with this DVD almost by chance on the internet and since I bought it I got really "arrested" by it. To my feeling, Karajan's way of conducting without the scores and with passionate movements, just like his whole body is singing the music, seems trully genuine, although certainly not conventional. As I could see in many videos with him teaching and rehearsing, this seems to reflect the way he really thinks an feel about music.br /The second remarkable impressions was with Ghiaurov's performance. I heard him for the first time on the Gounod's "Faust" DVD, as as much sounding and full of expression Mephistophelis. I've heard other recordings of Verdi's Requiem, as, for instance, the one with the great Finnish bass Talvella. But I think Ghiaurov's performance in this recording was much better, with a good diction, great interpretation. He, by himself is an impossant figure... I find Talvela's voice more "dense", if I can express this way, but Ghiaurov singing "Confutatis" is awesome.br /Pavarotti was for me the greatest surprise, since I had never seen him so young and without his "trademark" beard. After listening to his interpretation of Ingemisco, I can hardly stand the performances recorded by some tenors... A potent voice, clear pronounciation, perfect high-pitch notes. And he was only 32 years-old.br /About Cossotto and Price, they were both great also. But Cossotto touched me more deeply, specially in her "Liber scriptus" performance. Summing up, the four soloists were in great balance for my ears, with great individual performances and aso sounding perfectly together.br /I can say that this film really opened my mind to many other routes of music. Through it I cultivated and deepened a great respect for Pavarotti, Karajan, Verdi...br /I highly recommend it.

5 out of 5 stars

A Superlative Verdi Requiem October 15, 2008
This recording of the 1967 concert of the Verdi Requiem is absolutelybr /superb. Pavarotti was a comparative unknown at the time and his voicebr /is young, fresh and thrilling. All the other voices are equally fine:br /Leontyne Price, soprano; Fiorenzo Cossotto, mezzo-soprano; and Nicolaibr /Ghiaurov, bass. Herbert Von Karajan conducts the orchestra of La Scalabr /in what was obviously a labor of love on the part of the entire cast andbr /chorus.

3 out of 5 stars

CD review Verdi / Price October 9, 2008
It is a classic recording. Unfortunately the technical quality is a little outdated. This is the reason for my rating.

3 out of 5 stars

Wretched sound, but there are compensations October 22, 2007
2 out of 5 found this review helpful

I may be a lone voice here, but anyone who considers buying this famous video of the Verdi Requiem should be warned that the sound is wretched by any standard, including historical. The acoustic is cavernous, blurring the syllables of chorus and soloists almost beyond recognition. There is microphone shatter at loud cimaxes, and dodgy intonation at various intervals. As much as I wanted to compensaqte for these defects--after all, this is the only way you can hear Pavarotti and Leontyne Price with Karajan in the Requiem--at least I know now why DG has never extracted a soundtrack for release on CD.br /br /There are other attractions, however. A small one is the sight of the young Pavarotti without a beard. He is barely recognizable. Too bad that the wretched sound robs him of his distinctive timbre; close your eyes and you will have a hard time identifying the voice. For me the major attraction was watching Karajan's podium technique. With floating hands he vaguely outlines and shapes each phrase, and that's it. There's barely a discernible beat and no cueing of individual entrances. Since he also conducted with eyes closed, Karajan seems to be immersed in private reverie. And yet, as we all know, he extracted the utmost in precision, expression, and virtuosity from his musical forces. One comes away feeling that mesmerism was involved.br /br /Clouzot's direciton is straightforward, so there's not much visual enticement here. I suppose every other reviewer has lower standards for DVD sound. For my part, this is a sketchy audio product at best.

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